Ode to DLR
You and I should meet on air,
in these whirling hyperloop palaces
of all burnished steel, treated glass,
Polish plumbers’ expressions of effort
possessed of a breaking cold becoming
as if you could meet anyone,
when next break light chimes.
You and I should make an affair,
bathe in serendipitous twinkle of
Alexandra Palace hill light,
click heels and wish to tune
of Turkish butchers’ instrumental clatter,
seeming soundtrack of Haringey
as if there could be anything,
in off-beat pulse of gig space walls,
in the grandeur spiral of 8 million
we sometimes find ourselves
I want to run into you on some sunny
escapade in Chicago’s brick-swelling summertime,
in the wild grins of two blessings hung
splendid aloft in the symbols of broken
thorn, of hanging vine, of flower shop roses
and creaking staircase wood, all those promises
you can make with no worry to have kept.
I want to cross in the blood’s swirling air,
the staining Pollock points of traffic yellow
glint backlighting in halo-swan half-haze
looking Bacall, Bergman for the
stitching hour chained, and we were
drawing morning barely-seen through
bleary tears of dewy painter’s inspiration.
I want to crash in zodiac formations
of limbs and lips and lover’s wish
entangling on the musty shores of mind
imprinted silver-ruby to the twinge-shift
embossment of you and some solemn aching
shadow called myself like Euro coin back
marking of some nation lost to former epochs.
Carter Vance is a student and aspiring poet originally from Cobourg, Ontario, currently studying in the Social Work program at Algoma University in Sault Ste Marie. His work has appeared in such publications as A Swift Exit, (parenthetical) and F(r)iction. He received an Honourable Mention from Contemporary Verse 2’s Young Buck Poetry Awards in 2015. His work also appears on his personal blog Comment is Welcome (commentiswelcome.blogspot.com).