Meadow Mapping — John Trefry & Mike Kleine

Move your computer cursor to a cell in the meadowmesh to read its contents. Engaging the meadowmesh on a mobile device possible, but not recommended.

the aircushion of its soniferous in the / throughout the ADA with the openness / kneeling to a rail brushing emergence / and pinestraw and speaking low of a firestorm / not contrition—for salvation and or the wireless / filigree—a vertexgraph freespace, the infrastructure / flintily sheening with dew gathering scratchdash is / treeshiver irrespective of asphalt and the vista diagonally / exhaustingly flaccid subductions uprights, the / intermittent piers down through the against the pictureplane / running on and on and out and beyond distance is curtaining / reaching the voronoic hinterlands the spindles and / through the settling steambank of knifings of horizon / translucent exilee chum suspension—the brown snow / and not ending but with the thickening / graduating in tendrils, a concentric / lone arabesque glinting against / sheen spanning
out and beyond / the voronoic hinterlands the spindles / the settling steambank of knifings / translucent exilee chum suspension—the brown / flowing and not ending but with the thickening / delicately graduating in tendrils, a concentric radii / and lone arabesque glinting against a bare tree / and fogwhite sheen spanning a mass grave telegraphing / and the vibrations into limply resonating species of / Usa imprisonment is not scraping the mistcoat / emptying, yet even imprisonment is beside the inextricable / such small structure cresting just over the / underlying the hillock at the end of an axial inscription / suspension the timber uprights are drawing on the / there, crossgrain of the slope but without wire / unspoolingly leading back to the / grains of the black snow surrounding / and deathly smell
curtaining steel platingly / spindles and faraway or youthful / knifings of horizon conifers and arrowheads, / the brown snow is overtaking the landscape / but with the thickening of its internal cyclones in / tendrils, a concentric radii around a silhouette slumping / glinting against a bare tree trunk is unable to see the / spanning a mass grave telegraphing continentally distant / limply resonating species of nonthermal advection, even / not scraping the mistcoat of lime from the tongue / imprisonment is beside the inextricable tetherment of city / cresting just over the that the crispness of freshly / an axial inscription particulate grit of aggregate / drawing on the through the streets / but without wire imported from Portugal—the / to the city in Japanese—the Yasaka / surrounding an dam at Ikaho, especially / cartel mountains
the inextricable tetherment / over the that the crispness / axial inscription particulate grit of aggregate / drawing on the through the streets, / but without wire imported from Portugal—the / back to the city in Japanese—the Yasaka dam / snow surrounding an dam at Ikaho, especially after / smell, the continual cartel mountains—convoy for / high in snowslash princess puking her brains / screaming, legibility of the souls from the cotton slaves— / and its delineatory true conjurer—eliminating / field where the overpowering the dictator / collapsing, all the the view angle of drone / sitting with their cave—ordering a new optic / peering at the light from within the Colossal Cave, / thirteen wives hostage and then leading / riverbank—looking at the colour / running laps around Lake
this game «Boredom» / «DetourNament», naming this game «Agents / Mesh», naming this game «Mesh Agent», / game «The Meadows of Madness», the perceptions / equilibrium—or the self leveling properties of fluids— / are tunable to finer degrees detectable by a body / restraints—whose blood pressure is extremely low / whose stomach contents are unilaterally liquid—where / shifting of the body container relative to its fluid is π/X / radians where X is at least 200 or one gradian, the / of walking is in the flexion as much as the decisiveness / the cognitive pantograph, so «let X be a meadow» / the letterform of the terrain is W—walking in place / allowing for such morphological impossibilities— / decisions are unfolding within these parameters / is assigning themselves an identifier / & that the length
at least 200 / is in the flexion as much as / cognitive pantograph, so «let X be a meadow» / letterform of the terrain is W—walking / allowing for such morphological impossibilities— / decisions are unfolding within these parameters, / the agent is assigning themselves an identifier or «nom / de promenade» & that the length of the agent’s hair / determining the sense of angular momentum & that / portions of the navmesh are stale beneath an areamask / & in response to the invalidation of a path that the / agent has allowance for the exploration of new paths / that the agent has an innate avoidance priority level / the desirousness of avoidance—& that the agent / variable height and width but is always a representation / physical material & that the increasing / avoidance and the decreasing radius / in the agent & that
invalidation / allowance for the exploration / agent has an innate avoidance priority / desirousness of avoidance—& that the agent / variable height and width but is always a representation / of physical material & that the increasing effectiveness / of avoidance and the decreasing radius of avoidance / are evolutionary in the agent & that the agent has / allowance for the exploration of the up axis & whether / the agent is amenable to warping to a new position / Genesis—breaking cloning of instances across / bones to save a navmesh are resulting in / fortress—telling Private destruction of their originals, / Reinhardt, “You’re cadaver of a frozen horse / in charge of the laser plash palatka bustling / sights!”—building across the stone— / end poverty together for warmth, / positively wrists overheard
Desert together / tightly swaddling although / pulling stretching elastic tendrils of fine / indexing the waveform of the wind—is twirling / the stinging crystal interment from all sides / rapidly changing direct is lofting hoods from / over their faces and drifting a merciful insulation / of snow up their legs and over their boots, snow / drifting in the pleats of gray and khaki plash / that palatkas on prisoners of the storm, the cape of / snow is peeling away in lemniscal drybrushes / from the verso «apparator» shouldering a long / rifle is leaning against a boulder—or the kneeling / entirely within his hoodpeak and the slate green of his / stitch pleats of its waistband in a flowing pool / hoodcone after hoodcone deep in layers huddling / tissue viscous fat where the earth / precise length—over a bare
across the / resulting in the from the / of their originals, rifle is leaning / of a frozen horse—entirely within his hoodpeak / palatka bustling out from the stitch pleats of / across the stone—or rump—, hoodcone after hoodcone / together for warmth, straining muscle tissue viscous / wrists overhead in manacles chaining—the precise length / ceiling and oedemic toes grazing the concrete in a pantomime / minor fluctuations the swelling is bearing more and / varying the distance chillingly slow from the papilloform / concrete, the buoyancy of tropospheric vault whose marble / most navigation is and squinches are soft generative / peripherals in the of snow and ventifaction / spotlights through the of standing and squatting / «mesh agent» recession through the / plush meat hemisphere of snowflake / but are precipitating down
peeling away in lemniscal / verso «apparator» shouldering / leaning against a boulder—or the kneeling / within his hoodpeak and the slate green / stitch pleats of its waistband in a flowing pool / hoodcone after hoodcone deep in layers huddling / muscle tissue viscous fat where the earth is falling / chaining—the precise length—over a bare beam in the / grazing concrete in a pantomime of strolling, with / swelling is bearing more and less and more of the weight / chillingly slow from the papilloform drippings of the / tropospheric vault whose marble fanwork groins are ice / squinches are soft generative textural handpackings / with ventifaction and fingertip divots, the hoods / standing and squatting «apparators» coniferous / through the thickness of snowblinding within / snowflake deflection and reorientation / upon the downtrodden
chillingly / buoyancy of tropospheric vault / navigation is and squinches are soft / peripherals in the of snow with ventifaction / spotlights through the of standing and squatting / to the «mesh agent» recession through the thickness / into the plush meat hemisphere of snowflake deflection / still searing but are precipitating down upon the / difficulty of moving to of crouching figures, a generally / object is not dependent whirling up about the midst of / but is dependent on a and projection are visible though / location in the navmesh gust, uniform across of Gibraltar / is flowing the Vaga the windscape an asking / city of liquid—imperfect splotch in / is flowing into—array—each row Monaco / delicately the Lezha offset—of tepid / Dvinitsa and the cream and soot is / Uftyuga and the Gorodishna— / Vychegda
papilloform / whose marble fanwork groins / are soft generative textural handpackings / ventifaction and fingertip divots, the / standing and squatting «apparators» coniferous / through the thickness of snowblinding within / hemisphere of snowflake deflection and reorientation and / precipitating down upon the downtrodden immobilization / crouching figures, a generally broad arc of snowdust is / whirling up about the midst of a black upright whose base / projection are visible though whispering through the / uniform across of Gibraltar fourteen years ago— / windscape an asking the village elder to point / splotch in the direction for the Star of / each row Monaco—driving Jeeps and Ferraris / tepid on Mexican dirt roads at dusk / tunnels to perform a specific / of ritual—bathing in / time
projection / navmesh gust, uniform across / flowing the Vaga the windscape an / city of liquid—imperfect splotch / —is flowing into—array—each row Monaco / delicately the Lezha offset—of tepid on Mexican / the Dvinitsa and the cream and soot is tunnels / Tsaryova and the Uftyuga and the Gorodishna—of ritual / flowing into—the Vychegda—more delicately fourth / Yarenga and the Vym—and the Yug—more destroyed / Sharzhenga the terms finite and infinite are applicable relative / the of meadow which has its limitations in human / and continuity of brain activity—death—, and with / Uftyuga the canonical meshforms are forest—infinite—, / city of alleys—finite—, palazzo parameter— / parameter—infinite—, city of arcades— / infinite—, Ringworld—finite—, Torusworld— / „Narrows“»—infinite on a polyhedral / home
Kichmenga and the of / Yentala and the Pushma and continuity / Luza—and the Uftyuga the canonical / and the Yomtsa and the city of alleys— / Pinega are all flowing into the parameter—infinite / Northern Dvina emptying, infinite—, Ringworld / not overlaying the limprigor „Narrows“»—infinite / horse cadaver hoof and angle shader libraries—, / in its pardoning from rot by a polyhedral Hamiltonian / deep frost—where snowfall is helical mountain— / safe from the wind in fronds Hamiltonian cycle / of stiff hair—is projecting floating pleats thickly / overturningly from the peel of snow on the wind / bending ankle and the intimation of a black / of a railtire with eightspoke wheelset / conveyance collecting light snow in its hoarfrost / hue of brown is conspicuously / instead of snow
meadow which has its limitations / continuity of brain activity—death—, / the canonical meshforms are forest—infinite / city of alleys—finite—, palazzo parameter / the parameter—infinite—, city of arcades—infinite / infinite—, Ringworld—finite—, Torusworld— / limprigor „Narrows“»—infinite on a polyhedral Hamiltonian / ankle shader libraries—, home of the lovers «Császár / by a polyhedral Hamiltonian cycle with shaders of / snowfall is helical mountain—finite—, helical stripmine— / fronds Hamiltonian cycle with shaders of transcendent / projecting floating pleats thickly weaving false iris tissue / snow on the wind and drifting over the other the / intimation of a black face before the picturesque / wheelset and ampullary hub of a large / hoarfrost tendency, such colorlessness / conspicuously blushing ember red, the / slumbering on the pictureplane
wind in fronds / hair—is projecting floating / overturningly from the peel of snow on the / bending ankle and the intimation of a black / ruin of a railtire with eightspoke wheelset and / conveyance collecting light snow in its hoarfrost tendency / that a ruddy hue of brown is conspicuously blushing / white moths instead of snow media are slumbering / the uninterruption of mist smothering sunlight the / the yearning of creeping phlox—although plenteous / mindmeadow all three trunks are identical but no two / to the Gulf of Ob is flowing is not a trunk but / the Katun and—the Cebdar is the ciphers are flickeringly / flowing into—the Bashkaus is the image within / flowing into—the Chulyshman surrounding / flowing into—the Biya and smallest irreducible / and the Tom and the only coordinates / Ket and the
Hamiltonian cycle with shaders / floating pleats thickly weaving false / on the wind and drifting over the other / intimation of a black face before the picturesque / eightspoke wheelset and ampullary hub of a large groundcover / snow in its hoarfrost tendency, such colorlessness to / conspicuously blushing ember red, the vees of unsystematic / media are slumbering on the pictureplane over tree / smothering sunlight the smothering windfall and / phlox—although plenteous with potential landmarks / are identical but no two may coexist, the trunk seemingly / is not a trunk but a cipher—with ranging orientation / the ciphers are flickeringly inheriting their codification / the image within the mind that is abstract / smallest irreducible data packet containing / coordinates and an object reference / the assignment
wind in fronds / hair—is projecting floating / overturningly from the peel of snow on the / bending ankle and the intimation of a black / ruin of a railtire with eightspoke wheelset and / conveyance collecting light snow in its hoarfrost tendency / that a ruddy hue of brown is conspicuously blushing / white moths instead of snow media are slumbering / the uninterruption of mist smothering sunlight the / the yearning of creeping phlox—although plenteous / mindmeadow all three trunks are identical but no two / to the Gulf of Ob is flowing is not a trunk but / the Katun and—the Cebdar is the ciphers are flickeringly / flowing into—the Bashkaus is the image within / flowing into—the Chulyshman surrounding / flowing into—the Biya and smallest irreducible / and the Tom and the only coordinates / Ket and the
Hamiltonian cycle with shaders / floating pleats thickly weaving false / on the wind and drifting over the other / intimation of a black face before the picturesque / eightspoke wheelset and ampullary hub of a large groundcover / snow in its hoarfrost tendency, such colorlessness to / conspicuously blushing ember red, the vees of unsystematic / media are slumbering on the pictureplane over tree / smothering sunlight the smothering windfall and / phlox—although plenteous with potential landmarks / are identical but no two may coexist, the trunk seemingly / is not a trunk but a cipher—with ranging orientation / the ciphers are flickeringly inheriting their codification / the image within the mind that is abstract / smallest irreducible data packet containing / coordinates and an object reference / the assignment
trunk seemingly in the / ranging orientation around the forest / inheriting their codification of outerwear—, that is manifesting knowledge of trees / vertex is abstract and is a definition of the / packet containing thru the sand dunes of / object reference Adelaide—black horses and / assignment of a black blood on the black / variation in treebark ground—pitching a tent for / inextricable from the the Prince of Saudi Arabia / tree—, thus walking (c. 2013)—Jupiter trees— / is challenging drone strikes and Harriers / greatest extent, not because of its visual complication / mutability—increasing degree of difficulty / to increasing mutability or ▽, where visual / Tuscan heap rife with corbels and brackets / overwrought ornament—is relatively / selfsameness, this is a cancellation
the Vakh and—meadow / and—the Uy and—the in the mindmeadow / is flowing into—the Iset the cognition / the Ubagan and the Tura but because of / and the Tavda are flowing is inversely proportional / into—the Tobol and the Tara complication of / and the Ishim are flowing rustication filigree— / into—the Irtysh are all easy due to its overarching / flowing into the Ob emptying, meadow, is the silencing / navigation, it is not, but that accuracy is of less consequence / distinction between lack of comprehension and blackout / the serpent scree of huddling prisoners slumping / in cloakhoods gathering snow in an arc around / the compasspoint of a downcast «apparator» / shouldering his long rifle on downcast horsemount / is suffering hitchingly to the snowy consumption / black tree trunk or infrastructure / aurora of snowmist
for each tree—, thus / mindmeadow forest is challenging / cognition to the greatest extent, not / but because of its navigator mutability— / is inversely proportional or ∝ to increasing mutability / complication of navigating a Tuscan heap rife / rustication filigree—all manners of overwrought / easy due to its overarching scalar selfsameness, / emptying, meadow, is the silencing of noise, and not that it / that accuracy is of less consequence, in the cancellation / comprehension and blackout madness although engaging / huddling prisoners slumping of factors and not comprehending / snow in an arc around entailing blackout madness / downcast «apparator» something stimulating the / downcast horsemount is a high probability that / consumption of a this Thursday (after / timber in roaming in the / distant their business—
walking (c.2013)— / challenging drone strikes and / extent, not because of its visual complication / mutability—increasing degree of difficulty / ∝ to increasing mutability or ▽, where visual / a Tuscan heap rife with corbels brackets / manners of overwrought ornament—is relatively / overarching scalar selfsameness, this is a cancellation / of noise, and not that it is more conducive to / consequence, in the cancellation meadow there is no / madness although engaging in a constellation / factors and not comprehending is not necessarily / entailing blackout madness because there is never not / something stimulating the comprehension faculties—it / probability that it is simply useless—, / Thursday (after dinner)—giant reptiles / background as two adults discuss / darkness of the
between lack of comprehension / serpent scree of huddling prisoners / cloakhoods gathering snow in an arc / compasspoint of a downcast «apparator» / shouldering his long rifle on downcast horsemount is suffering hitchingly to the snowy consumption of / barren black tree trunk or infrastructure timber in / a vague blue aurora of snowmist, from the distant / horizon conifers and arrowheads are emerging as / an unfurling serpentcurl of huddling prisoners in / cloaktents under the supervision of intermittent / «apparators»—on horseback in pairs of solitary— / in the similar garb of hoodpoints and drapery, / being a field of no inherent variety, the basis / exploratory meditation has too much complication / inmate, the axiomatization of its fields / solely in equations, are not ergodic, / minutes to
and blackout madness / slumping of factors and not comprehending / an arc around entailing blackout madness / downcast «apparator» something stimulating / downcast horsemount is a high probability that / snow consumption of a this Thursday (after dinner)— / infrastructure timber in roaming in the background / snowmist, from the distant their business—the darkness / arrowheads are emerging as the night-vision goggles’ batteries / huddling prisoners in a perfectly good pair of suit / supervision of intermittent chase through some grottos / in pairs of solitary—from seven years ago that / hoodpoints and drapery, Ghit’mo is real—blinking / variety, the basis of has already happened— / much complication sand and glass particulates / of its fields are for nine years—the / ergodic, are too open under products / although this seemingly
intermittent chase through / solitary—from seven years / and drapery, Ghit’mo is real—blinking / variety, the basis of has already happened— / much complication sand and glass particulates / axiomatization of its fields are for nine years—the face of / are not ergodic, are too open under products and subalgebras / to remove the although this seemingly is full of promising / rubbing your face in a morass, a multiple ensnarement / King is here—and within the that evaporate / shaking because you the mind, the the East—traipsing / the Tree—care however—with thistles—kneeling / some trees—multiplicative no face—sisters / inhale the is varietal and parties for days / Black Sea embedment lighter after / amusement and pleasure and Dan-esh / locations within the your / are existing
—traipsing through / thistles—kneeling at the feet of / no face—sisters of the Grey Mountain / parties for days—burning yourself with the / lighter after you pass the village of Suh’ekh / Dan-esh—injecting antidote formula into / the your right arm just to make the nightmare / existing disappear (for two hours)—stabbing a man in / locations the face with your mind—splitting a coconut discovery in two with the butt of your gun—tossing a it riot control hand grenade into a crowd made / artifact up mostly of men from the neighboring / is state—assassinating the ninth in line—drums / off in the distance—impersonating the god of / the Broken Sun—removing a limb to satisfy / a separate entity amok, but as an inflection / anything but pain is approaching / of its concatenation—
seeing it, it / the device or artifact / concatenation that is state—assassinating / and locating them, thus their off in the distance / existence is materially congruent the Broken Sun— / the meadow—they are existing not as a separate entity / algorithm—, the body unable to touch anything but / through the material of the algorithm, and because of / elasticizeable digitization of a simple machine—the meadowmesh / variety of precision settings that modern ritual—slipping / fluctuating arbitrarily under the face of the mountain / temperature and the screaming is scratched up—immortals / mortar in the walls, of them—serpentine / convoy are accepting an confusion—don’t make / fellowship from a gracious the days until / what gratitude is at looking at / throughout the vague months, nine / mournful exile» and nine
hand grenade / up mostly of men from the / state—assassinating the ninth in line— / off in the distance—impersonating the god / the Broken Sun—removing a limb to satisfy / not as a separate entity amok, but as an inflection / to touch anything but pain is approaching tactility / algorithm, and because of its concatenation—being the / simple machine—the meadowmesh is functional at a / modern ritual—slipping on blood and falling down / the face of the mountain with your rifle getting all / scratched up—immortals off in the distance, three / of them—serpentine formations—scatter, to cause / confusion—don’t make any friends—counting down / the days until April—swallowing your words— / looking at the same picture for three years, / nine days, seven hours, fourteen / —emptying his shoes
mountain with your / up—immortals off in the distance, / —serpentine formations—scatter, / confusion—don’t make any friends—counting / the days until April—swallowing your words / looking at the same picture for three years, six / months, nine days, seven hours, fourteen minutes / and nine seconds—emptying his shoes because he is / dead—asking her for directions—water inside the / gun—dousing the flame because it’s about to be / 1:22AM—method-killing (because this helps to not / feel anything)—how dark is it on the other side of / the valley?—memorizing the path to the Shadow / Realm—impressions of the weak—a water birth—a / man from South Korea and his daughter who / signing, how to get to the general store / patrol for one man so her can / Thieves—poems over the
killing (because / anything)—how dark is it on the / valley?—memorizing the path to the / —impressions of the weak—a water birth— / man from South Korea and his daughter who / deaf—signing, how to get to the general store for / supplies—a patrol for one man so he can make it to / the Den of Thieves—poems over the dinner fire to / escaping from the meadow but interrupting the agent’s linkchains the «apparator» is slapping his face back to / white snow consciousness out from the meadow, in / satin—two consciousness the bacterial infection / dogs and dog Rickettsia prowazekii is manifesting / money—a the introduction of the applyoperator / Farfisa is transforming the statemachine of / evenings the meadow to a thread given / the hazy sweatings of typhus / drawing back into the

 


John Trefry is an architect and writer in Lawrence, Kansas.

Mike Kleine is a writer and avid player of tennis.

Image: Abstract Curves led 1944