An aphoristic essay by philosopher Andrew Milward on the relationship between philosophy and various forms of art, particularly in terms of the concepts of the minoritarian and the majoritarian.
The Tutor Arrives There is a bowl of fruit and a glass of still water arranged neatly on […]
A few months after I did my third step, I stood in front of a group to read […]
In Songs for Olympia, Tomoé Hill enters into dialogue with French author and ethnologist Michel Leiris, as contemplation […]
I’m old in this house the one we shared, old and baffled, liver searing on the stove, and […]
I never met Václav Havel. But during the summer of 2001, while studying political and economic theory in […]
Interminably tangled, the escalators wove themselves into a vast network, a great steel octopode either in conflict with […]
Lying on his back, a sandal on, the other foot is pink and bare and still. There are […]
horn players i love Trane Ayler -ghost sculpted air!Sonny Rollins Giuseppi LoganFrank LoweNoah HowardDon Cherry OrnetteSidney BechetBill DixonJohn CarterMarion BrownJemeel MoondocJohn […]
DECLARATION OF PRINCIPLES Whatever his quality, his stature, his finesse, his creative capacity, his success, the poet can […]
minor literature[s] 